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On the fifth anniversary of George Floyd’s death, why is Irish theatre still so white?

Despite calls for cultural change, black representation on the Irish stage is still years behind, but there are signs of improvement

The Perfect Immigrant: Samuel Yakura’s play was helped by Dublin Fringe Festival’s Weft mentorship programme. Photograph: Marc O’Sullivan
The Perfect Immigrant: Samuel Yakura’s play was helped by Dublin Fringe Festival’s Weft mentorship programme. Photograph: Marc O’Sullivan